Wall Installation

My visual language is deeply rooted in my early life in a tropical climate, where the richness of nature—its vibrant colors, layered textures, and organic forms—left a lasting impression on my senses and memory. These early experiences continue to shape my emotional connection to the natural world and guide my artistic practice.

Nature remains central to my work. I draw inspiration from its forms and colors, approaching them with a sense of care, sustainability, and compassion. Rather than simply representing nature, I try to respond to it—honoring its presence while reflecting on our relationship with it.
In my Rays of the Sun series, I work with repurposed monofilament, or fishing line, as my primary material. I am drawn to its translucency and quiet strength. Through hand-crocheting, I build layered structures using variations in color and thickness, translating my direct observations of sunlight and its surrounding atmosphere into tactile form. The process is both meditative and responsive, allowing the work to emerge gradually through repetition and attention.
Light, and particularly the sun, holds deep symbolic meaning across cultures. In Western Christian tradition, light is the first act of creation, while in Korean foundation mythology, Dangun is understood as a descendant of the sun, with long-standing rituals devoted to its reverence. These narratives resonate with my ongoing curiosity about the origins of life and the flow of energy throughout the universe.
Ultimately, my work is an offering of care and respect for the natural world. It seeks to encourage a way of living that aligns with nature’s rhythms – one that protects, sustains, and cherishes it, rather than opposing or exploiting it.